Intuitive Painting #4 - Valley Storm
- janefont
- Nov 13, 2020
- 2 min read
This painting was the very definition of a study. I had a vague idea, and while I was going through the painting, I treated it like a practice or a way to work out elements/colors/techniques for a larger, more thought through painting. Studies are a great way to paint. There's no pressure to make something amazing. Just approach it as a practice, and let "mistakes" just happen without caring about them.
Now, a couple of things about this painting that I would absolutely do differently were I to take it to a larger canvas. First, I think I'd like to play with the colors in the sky. I really like the idea of getting a hint of pink in there, aside from the pink of the underpainting. I'd also like to play with the colors in the shadows of the clouds. Get some dark purple bits in there, some blue, maybe some yellow or pink. Just liven it up a bit.
Finally, I really don't like how the river appears to be coming out of the sky. I could have put more attention into that bit. Pulled the distant trees across that line to separate it from the clouds, bulge out the shoreline on the right to bend the river a little more, or just change the shape/positioning of the whole river in the first place. In fact, if you check out my blog post on how to do color tests, you'll see another version of this little painting where I did just that!
Ready to get started on your own autumn leaves? Check out the materials list and video below. Amazon links are affiliate links. That means that if you make a purchase, I might earn a small commission at no extra cost to you. This helps me continue to bring you free painting videos! Yay!
Materials list
Fredrix canvas sheet (cut and glued to a foamboard)
Fuzzbert #8 filbert (or any old, small, puffy brush)
Colors
This post beautifully captures the emotional depth of intuitive painting, Valley Storm really resonates with creative unpredictability. While working on an assignment related to art interpretation, I explored various academic resources and came across Journal Publishing Service. Their online manuscript editing services were incredibly helpful in refining my research, especially when it came to clarity and structure in my write-up.
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This post on Valley Storm really spoke to me—I’ve always found intuitive painting to be a release, especially during intense academic phases. I remember painting something similar during a period when I was also struggling to get my research published. The chaos of the brushstrokes matched the storm in my head. It wasn’t until I discovered Scopus journal publication services that things began to clear up. Just like painting brings clarity through emotion, their expert support helped bring structure to my ideas and got my paper published. Art and academia—both need a guiding hand sometimes.
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